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Here are the opinions of critics about Marvel’s “Black Panther: Wakanda Forever”

It’s impossible for anyone to replace the irreplaceable. But that was Ryan Coogler’s task as director and co-writer at Disney’s.

Latest Marvel Cinematic Universe film, Black Panther: Wakanda forever

After the death of Chadwick Boseman (actor who played the title character in many Marvel films), the sequel to “Black Panther” is set. He was 43 years old.

“Wakanda forever” was a fitting memorial to Boseman and helped move the multibillion dollar MCU franchise into the next chapter. It is expected that it will have a massive opening weekend.

Coogler and the executives of Marvel Studio decided not to remake T’Challa. The film’s opening scene shows the character’s death off-screen. The story follows and focuses on the secondary characters of Wakanda’s world. They deal with the loss of their character as well as the encroachment by the rest of world who has learned about the country’s powerful resource vibranium.

Many critics found the plot too complicated. Coogler wanted to pay tribute and set the right markers for future MCU projects. Tenoch Huerta plays Namor, the ruler in Talokan, a fictional kingdom that is based on Atlantis. Riri Williams (known in comics as Ironheart) will also star in the film.

Despite its size and weight, “Wakanda forever” has received a Rotten Tomatoes rating of over 80% from more than 200 reviews.

Before Friday’s debut, here are some thoughts from critics about “Black Panther: Wakanda Forever”.

Kristy Puuchko, Mashable

Puchko said that the film is action-packed but also focuses on how people deal with loss differently. T’Challa’s mother Queen Ramonda, played by Angela Bassett, and Shuri (Letitia Wright), fight over Wakanda’s future.

Puchko wrote that Coogler asked difficult questions through their mother-daughter struggles — born out of love and broken hearts. What do we owe those who have lost us? Are they our responsibility for their legacy? Are we responsible for our own legacy? “Would their memory be a source of strength or blindness for our futures without them?”

Wright was a comic relief character for much of the original “Black Panther” and now plays a more prominent lead role that many critics have praised.

Puchko stated that “[Wright] manages this shift well, bringing maturity to the pesky little brother without losing her bear-poking edge.”

Moira Macdonald, Seattle Times

Macdonald writes that “Boseman’s T’Challa” is a spirit which lovingly haunts the movie.”

She wrote, “It’s part the great strength of Black Panther: Wakanda Forever that it doesn’t hesitate to address that sadness; after all, this is a superhero movie and Coogler might be forgiven for wanting quickly to cut to the chase so to speak.”

Instead, the filmmaker lets the characters and audience feel the loss before moving on.

She wrote that “Black Panther: Wakanda Forever” does so many good things that it’s difficult to point out the flaws it has. “But, you look at it and wonder about the movie that never was made, the story that never ended, the short life that was too soon.”

Leah Greenblatt, Entertainment Weekly

Coogler, much like the original “Black Panther”, is being praised for her role in filling the “Wakanda forever” production with talented women actors and creators. Ruth Carter and Hannah Beachler, who were Oscar-nominated for costuming and production design for their work on the original film, are back, and gaining more praises.

Greenblatt writes that “Their shared visions of Afrofuturism feel lush, joyful, and beautifully specific set against (or almost especially) the usual white noise from Marvel fanfare, even in darker moments, such as the pristine rituals and funeral scenes.” “Wakanda” is clearly still a Marvel property with all the story beats for fans and secondary characters it requires. But, it feels different from any other one.

Greenblatt also mentions how Wakanda became a matriarchy without King T’Challa.

She wrote that Wakanda had become a kingdom without a king. This was overseen by Bassett’s regal, agedless Ramonda and the stunningly intimidating Gurira. Wright then rose to fill the newly expanded role with feline grace, vulnerability.

She points out that the sequel may not be the same as what Coogler or Marvel intended to make before Boseman’s death. However, the movie she’s made “feels like something unusually elegantly profound at the multiplex; an ounce of forever for the star who passed too soon.”

Kambole Campbell, Empire

The performance of Huerta’s Namor (also known as the Sub-Mariner, in comics) and Coogler’s portrayal of the character were also highly praised by critics. Campbell calls Namor “a unique antagonist.”

He’s a highlight. An imaginative adaptation of the comics veteran character. One who speaks truth with convincing passion. Coogler links him to Mesoamerican history as well as Spanish colonialism. There’s also a sense, like Wakanda, of a real-world, tangible history.

Campbell noted that “Wakanda forever” can feel “overly busy”, since Coogler had many elements to incorporate into the film.

He wrote, “It all sprawls to a messy final act that can feel at variance with the rest of the movie.” “But Wakanda Forever ends on a touching note. It deals with T’Challa’s passing and Boseman’s death in bookends. These moments make the film a touching, personal, and moving whole. Boseman keeps ‘Black Panther” together even in his absence.



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